Various
"8,9,10" And "9,10,11" From Gung Ho 1,2,3D

Comfortnoise: ...“Powder Blue” is another composition of crisp heavyweight Swiss dubbings delivered by NEW.COM on his Comfortnoise imprint: Six soundsystem workouts assembled into a proper mini album, accompanied by a picture inlay plus sticker, and the download code.This record maps NEW.COM’s own take of Bristol-influenced bass music. It advances his preceding “The Unity Is Submarine” EP by inclining towards grime and drill patterns, shaded by reggae, jungle, funky, acid and electro.“Milan” opens the A-side with a turbulent flow of percussion grounded by a solid, deep-rooted bassline. It develops into a ravey, yet melancholic hands-in-the-air mood. “Olamina” invites to dance by displaying a reduced, funky drum pattern with fat kicks: You choose whether you ride the pushy flow or drift into a cool, laid-back reverie. “Dubclusion” concludes this side with a mighty bassline wrapped up in a deliberately idiosyncratic digital reggae tune.On the B-side, “Decoy” rushes through the dancefloor like a proper techno tune. However, it has its own edge and surprises not only with some sort of hysterical birds but also a swinging bassline. Thereafter, “Brainbridge” enters a most reduced, spacious, heavyweight realm. Its drill pattern is fully presented just once but never stops clinging to your head throughout the whole suspenseful journey. “Cessation” comes full circle as a dark, spooky, droning tune that dismisses you into your very own inner world.This is serious heavyweight meditation business!

U-Trax: ... With his first release as EBM outfit Voltage Control on Antler Subway in 1989, Utrecht-based Arno Peeters can easily be considered one of the Dutch Dance pioneers.Influenced by hip hop, electro and acid house, and his uncontrollable urge to experiment, he moved on to produce techno. Disappointed by the genre’s conventions, he rather suddenly stopped with dance music altogether around 1995, letting a wealth of DATs with unreleased material collect dust in his studio.To our great pleasure, U-TRAX was allowed to pick some nuggets from these archives, resulting in this Titanic EP and an album later this year.

ORANGE MILK RECORDS: ...Japan’s Nobuyuki Sakuma is a prolific artist; formerly of the Jesse Ruins duo on the Captured Tracks label, he now shifts time between his electronic music project CVN, curating the mix series Grey Matter Archives, and chief editor duties at Avyss Magazine. “I.C.” will be his second album for Orange Milk as CVN, and it is an eclectic hybrid of beat music and abstract electronics. There is a searching quality in his music, with leaps in variation from track to track that are meant to elicit the mutating feelings of walking through Tokyo.The first track 成分 Seibun is a calm pop song featuring Japanese vocalist NTsKi, and feels like an initial encounter with nocturnal cityscapes. As the album progresses a stranger Japanese electronic music culture begins to emerge, referencing artists like good friend Foodman and label partner Koeosaeme with irreverent assertions of anti-genre music making. Tracks like “Snippets of Heaven” are reminiscent of music on the labels PAN or Halcyon Veil, cryptic and sparse with random industrial beats and scraping metal. “舌下 (Karaoke)” is a more forlorn piece with straightforward rhythm and deeply effecting use of repetition. Sakuma states that he lets mood dominate his track making and does not care if this transitioning emotion fits into a cohesive style. The skill of harnessing the random nature of each tracks aesthetic is impressive, resulting in an exciting record that faithfully documents its creators place and time.